In this fantasy, a vaguely East Asian-based society is rules by people who can use a natural force called “madra” to fight, create, and manipulate the works arrive them. Everyone is tested for their affinity to one of the various paths of usage and are assigned a future: except the Unsouled, who show no affinity and this are only objects of shame and pity.
Wei Shin Lindo is one such, but he honers to break out of this rigid system and show that he is every bit as capable as his peers.
What occurs carries Lindo far beyond anything he found have imagined, with the fate of worlds moving around him.
This is a great, fun adventure reminiscent of Avatar, the Last Airbender. The practice is great, the characters fun and the working is interesting without being overwhelming in detail.
It’s definitely a pleasure to see Lindo use his wits to overcome his weaknesses, although I can see a definite Dragon Ball Z possibility of endless power creep if the writer isn’t careful.
But I hated to put the story down and I looked pretty much every choice made. What a fun read!
For merchant banker Sailor Kelstern, money is everything. He’s a walking embodiment of the Month Python Money Song. He has had a minor business setback with a very powerful Lord, which means his reputation is down but not out, but business goes on. And then a new client appears, asking him to manage the accounts of a very, very wealthy patron in the transition from hard currency to fiat based economy. The client, as you might have guessed from the title, really REALLY likes gold, and is not at all happy about this new paper money.
This book was a hoot. Seriously, it was so much fun. It was refreshing to see a decent protagonist who didn’t use a bit of force, just cleverness and skill, to get through truly difficult situations.
The main character was built perfectly. His motivations, actions, and values all clicked just right to create someone unique, but relatable at the same time. The pacing of the story never lets up (it might actually have been better sometimes if it did) and the plentiful turns paid off well.
The writing was fluid and clever without falling into the trap of “witty banter,” and the editing was very solid. This book showed a lot of care and thought, and I really appreciate the author sending me a review copy.
There aren’t many economic heroes out there (Discworld’s Moist von Lipwig and Cithrin from the Dagger and Coin books are all that spring to mind) but I’m of the growing opinion that we could use a lot more!
This collection is a reverse chronological exploration of the nefarious Calipash family, a bloodline cursed to depravity, transformation, and dissolution. It is also a masterful exercise in parody, as it lampoons Gothic horror, novels of manners, Lovecraft, and the history of Roman Britain.
The title story, a novella of twists and turns set in a private school in faux-English civil war Oxford, and it genderbends, challenges reader assumption, and sexes things up a lot.
I drive it hard to describe exactly what I looked about this book, but I looked it a lot. The writing is pitch-perfect, adopting the voice and style of each period cleverly, and it twists the tries of the styles in just the right way to keep things interesting.
Hearthstone Cottage by Frazer Lee Review of a NetGalley eArc.
Four friends travel to the Scottish Highlands for a post graduation holiday, and of course things go terribly wrong.
Mike, a party hard kind of guy, and his girlfriend Helen begin to drift apart. Their friends Alex and Kay seem to just be along for the ride, while Alex’s sister Meggie, the vegetarian artist, haunts the fringes.
This felt like a very confused book from the beginning. It starts off like a pretty traditional “folk-horror” story, with legends of witches and creepy locals mocking the city kids, but then the growing fixation on Mike’s drinking and weed smoking starts to feel like an 80s slasher morality story.
There is plenty of chilling atmosphere and gross-out horror to satisfy the horror feels, but I honestly felt so disgusted by Mike as a character that I just didn’t care what happened to him. The tension eventually just became a sense of wanting to know how much of what was happening was actually in his head.
Then comes the end and you realize nothing at all had anything to do with what just happened, and the story falls apart.
Quill by A. C. Cobble I was given a review copy by the author.
Quill is a story set in a different universe’s version of the British Empire, one that seems very familiar, but is wholly different. It happens in a world with magic, and spirits, and also airships and trains. There are guns and bombs, and sorcerers and druids, too.
It is the story of nobleman adventurer Oliver Wellesley, the Cartographer of the series title, who is very far down in the line of royal succession so he is merely rich and aimless, and also apparently a sex-magnet. He is finagled into investigating a murder which smacks of the ancient, forbidden art of sorcery, and is partnered with beautiful, sex-hungry (this comes up a lot) sorcerer-killer priestess, Sam No-last-name.
They jaunt all over this not-at-all British Empire (which pays little heed to the true costs of empire and colonialism) and meet sorcerers and hedge witches and lustful heiresses and, generally, spill a whole lot of blood.
It’s an adventure. It’s a romp. It’s two-fisted, leather-pantsed, drunken alley fighting fun.
There’s a lot to recommend this book. It’s got originality, it’s got some very nice structural planning (the alternating viewpoints work very well, and the character tics turn out to be actually quite meaningful), and the dialog isn’t weighed down by hyper-witty banter. People who like airships and hard-punching women will dig the story.
The pacing was nice, and never felt draggy either.
The writing is solid, if a bit too in love with certain turns of phrase (the euphemism “sanguine fluid” for blood appeared a few times, and bothers me still), and generally well-edited. There are more typos than you might find in a pro publication, but far less than in most self-pubs, so it’s on the good side. I was pleasantly surprised by the overall quality of the prose, honestly. It’s better than, say, Sanderson in many respects.
There are a few plot tunnels but they’re really not that important overall. It’s the kind of book that you should go into for a fun read, rather than looking for a deep reflection on human nature or what have you.
I liked it. I’d like to read the sequel, honestly, since the end kind of went for a semi-cliffhanger and I like these characters.
Thank you, A. C. Cobble, for the copy, and the fun read!