Book Review – Olyoke

Olyoke, by Vincent Endwell. Coming in March 2026.

The cover to Olyoke by Vincent Endwell. It shows a landscape with a distant town and amusement park amid green hills. In the foreground, an amorphous figure that is vaguely human floats in the sky.

This was another ARC from Tenebrous Press, which is doing lots of cool things with horror in the weird mode. Many of the books they put out fall outside my personal taste zone, but I always appreciate the creativity and drive behind them. But this one fell well within that zone.

I am going to struggle to summarize this one because it is… Nebulous. I think it qualifies as a collection of short stories, but all of the stories fit together to create a much bigger story, which is probably why Tenebrous lists it as a novel on the website. The stories are, or the novel is, all set in and talk about the town of Olyoke, built on a swamp in Tennessee, but the Tennessee is arguably not the one we know. Because things happen in Olyoke that do not happen in our world, and no one really seems to question that.

The swamp is full of gray-eyed worms and gray-eyed people who have lived there since long before. Ghosts of people who never died haunt the religious/music theme park. The men who drained swampland to build the town vanished in the night or went mad because they drank the water flowing from a mysterious girl trapped in a tree. And people in the town dream of other worlds where they have other faces, and an approaching cataclysm that is either a cleansing flame or an unstoppable titan was foretold by one of several prophets who founded cults in the town.

It is all capital-w Weird.

And it is not just the subject matter that dodges easy grasp. The way Endwell approaches the writing is squirmy, too. Things are simply left unexplained, such as who the hell “Holly” is, the subject of the theme park that dominates the town’s center. Or why the town is overrun by red-frogs, which also seem to carry a plague?

Then there is the language use. Endwell approaches language in a not-too-unusual manner, except for the (very “now”) flexibility of pronoun use, which comes across at first as quite gender-aware until you meet someone who goes by “it” who might, actually, not be a someone?

Now, I will say that things come together. There are lots of unanswered questions but they are of the sort that really don’t need answers. And the ending, as such, does not leave the reader dissatisfied so much as… In a state of wonder. Dazed, even. Because this collection, or novel, or whatever it is seems to be swirling somewhere above mere storytelling, much as the figure on the cover swirls above the world.

This was a fascinating book. An eminently readable book. And, dare I say, an enjoyable one, if a bit outre. For those who look for stories that avoid pat explanations and neatly tied-up ends, this is definitely one worth pre-ordering.


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