I’m a member of a photo club, the Hikari Shayukai, and we have a public exhibition at a local park every spring.

This year’s just finished, so it’s time for a bit of reflection.

Unlike past years, the exhibition this time was held the week after the annual ume blossom festival, so we knew from the start that attendance would be lower than usual. Oh top of that, we had heavy rain three days out of five. The Saturday and Sunday were sunny, luckily, but still we had less than half the 1,000 or so we usually get.

Still, people did show up, and I had some very interesting interactions with guests over my pictures.

Here are the pictures I showed, and stuffed of the thoughts I have on them now.

This picture was taken atop a local kofun, or ancient burial mound. I like the colors of the clay haniwa against the blue sky. The biggest reaction to this one was surprise at the location. Even people who live in the town where it was taken didn’t seem to know the mound was there.

This is a bit of a miracle picture. I had my son hold a lit sparkler-type firework and move it while I took a long exposure, and this is the shape it took.

Reactions to this were mostly bafflement. What is it? How did you take it? But there was a lot of wonder about it, which is mostly what I wanted.

This seemed to have a lot of impact. The vibrance of the colors and the banding of the sky, along with the sunstar, really caught people’s eyes. But what got me was how many people wanted to know exactly where I took it, down to the name of the little island at the right edge of the photo.

I don’t know the name. I’m not sure if it matters?

I’m not even sure how to explain this. I took it through the window of a double decker sightseeing bus rolling through Roppongi, Tokyo. I wanted to catch the chaos of the night lights and the feeling of the big city at night. I mostly just wanted to play around with light.

Most people just ignored it, but some seemed almost entranced by it. I got a lot of guys with cameras asking how I took it, and why. They got up close and seemed to try to decipher each pixel.

I’m ok with that reaction.

It’s always great to get the reactions of non-photographers to my pictures. It gets clarify my successes and failures.

And it just feels more meaningful to show prints like that