A few recent pictures

I took a few pictures that I like recently, so here you go.

A couple of the crops are unconventional, but these aren’t for printing, so who cares?

Winter birds are best birds

The weather here has turnedโ€”well and truly, finallyโ€”to winter. Which means both dusky days, and winter birds.

Many of the birds I associate with winter, like white eyes or long-tailed tits, are present year round but are more visible because of bare branches. Others, like the ducks that stop on the rivers, are just passing through. All are welcome sights, though, making the cold walks worth it.

Here are some I spotted today, December 21, 2024. For the record.

2024 – Stuff I loved

It’s inevitable, I guess, to get retrospective at this time of year. I’ve more or less stopped keeping careful track of things like media consumptionโ€”no Goodreads lists for me, thank youโ€”but it’s still sometimes interesting to review. And so, here is a non-comprehensive list of things that I remember enjoying very much in 2024. Travel, books, TV, whatever, I’m not going to be strict. These are all things that made my 2024 a better year than it would otherwise have been.

First up, I visited Inbe in Bizen, Okayama several times this year. It was wonderful. I met potters, enjoyed the scenery, and learned about its history and culture in a way that was vibrant and exciting.

Another thing that made my 2024 better was engaging more actively and thoughtfully in photography. I’ve written about it before, but even apart from whatever high-minded ideas about “art” or “creativity” people want to layer onto it, the very fact of engaging in a new expressive medium has been great. I have been a “word guy” all my life. Trying to be an “image guy” now is really something special for me.

A smiling older man with a mustache. He is wearing a towel on his head, a large watch, and a black tanktop and is flexing his muscular arms.
Macho man

In the world of books, there have been a few standouts. The one that stands largest in my memory is The Saint of Bright Doors by Vajra Chandrasekera, which I reviewed on this blog. There’s not much else to say about it, except that its weight in my memory has only grown with time. Read it.

I also read and loved Premee Mohamed‘s The Siege of Burning Grass. It is a fantasy story set in a world at war, but the central protagonist is a true pacifist despite the brutal social pressures on being a good, patriotic subject of empire. It is a story about the irrationality of war and the true courage that is pacifism, and the pain that occurs when those are placed in irredeemable conflict. I should have reviewed it more thoroughly. It deserves much thought and rereading.

Another standout is the Japanese-language only (so far) horror book Kinkichiho no aru basho ni tsuite (About a certain place in the Kinki region) by Sesuji. It’s a “mocumentary” horror book that presents itself as a collection of research materials for a magazine, but ends up telling a story of generational evil, the terrors of the Japanese countryside, and creepy stuff in general. I loved it. I think the translation rights have been sold, but that is so far unconfirmed.

In related media, I still think about Fake Documentary Q a lot. I wish the book had been better.

Apart from all the old music I mostly listen to (shout out to Eric Satie’s Gymnopรฉdies), the new album I listened to most is Daudi Matsiko’s The King of Misery. It seems perhaps inappropriate to talk about “enjoyment” regarding such an emotionally shredding/shredded work of art, but it is beautiful and alive and well worth listening to.

And, lest anyone get the idea that I went all high-brow and Big-C Cultural in 2024, I also watched the hell out of the Reacher series on Amazon Prime because there’s something unironically appealing about watching a very big man murder the fuck out of the Bad Guys.

What were some things that made your 2024 less terrible?

A Year of Photo Club – How It’s Going

The reflection of a Ferris wheel in the mirrored windows of an office building. The differently framed windows give the reflection a mosaic look.
f E rrI s wH eeL
A black and white portrait of an older man in a tanktop. He is flexing his muscles and smiling.
Bodybuilder
In the background, a clear picture of two women facing the other way. One is wearing a black t-shirt with the image of a backbone on it.
In the foreground is a somewhat blurred image of a muscular older man in a white tanktop, facing the other way.
Backbone
A grey heron flaps across the foreground against the backdrop of lush green foliage.
Heron
Everything is dark except a large fire burning high in the center. The silhouette of a person can just be made out in front of it.
Prayer

Setouchi Tsurezure #5 – First Photo Show

My fifth column for Setouchi was about my experiences with my first photo show, as part of my Hikari Shayukai club. The photos I showed all ended up with someone word-play/punnish types of names, which I know the editor likes. He chose to run one with two ducks appearing to kiss, which I call “ไปฒใŒใŒใ„ใ„ใ€‚ใ€‚ใ€‚ใ‚ซใƒข.” The name means “Good friends… Maybe” but the “Maybe” is a bit of a pun on the Japanese word for ducks.
You had to be there.


ๅˆๅ†™็œŸๅฑ•

2ๆœˆ16ๆ—ฅ๏ฝž20ๆ—ฅใซๅ† ๅฑฑ็ทๅˆๅ…ฌๅœ’ใงใ€ใฒใ‹ใ‚Šๅ†™ๅ‹ไผšใฎๅ†™็œŸๅฑ•ใซๅ‚ๅŠ ใ—ใพใ—ใŸใ€‚ใพใ ใพใ ๅˆๅฟƒ่€…ใชใฎใงไฝœๅ“ใ‚’ๅ‡บๅ“ใ™ใ‚‹ใฎใฏๅคงๅค‰็ทŠๅผตใ—ใพใ—ใŸใ€‚ใใ‚Œใงใ‚‚้žๅธธใซใ„ใ„็ตŒ้จ“ใซใชใ‚Šใพใ—ใŸใ€‚

ใพใšใฏไป–ใฎไผšๅ“กใจๅฒกๆœฌๅ…ˆ็”Ÿใฎๅ‡บๅ“ไฝœใ‚’ใ‚†ใฃใใ‚Š่ฆณๅฏŸใงใใŸใ“ใจใฏใจใฆใ‚‚่‰ฏใ„ๅ‹‰ๅผทใซใชใ‚Šใพใ—ใŸใ€‚่ฆ‹ใ‚‹ๆ™‚ใซใฏ็š†ใŒๅ„ชใ—ใ่ชฌๆ˜Žใ—ใฆใใ ใ•ใ‚Šใ€็ดฐใ‹ใ„ๆŠ€่ก“ใ‚’ๆ•™ใˆใฆ้ ‚ใไบ‹ใŒใงใใพใ—ใŸใ€‚ๅ…ทไฝ“็š„ใชใƒฌใƒƒใ‚นใƒณใŒใŸใใ•ใ‚“ใ‚ใ‚Šใพใ—ใŸใ€‚

ๆœŸ้–“ไธญ5ๆ—ฅ้–“ใง1,000ไบบไปฅไธŠใŒ่จชใญใฆใใ ใ•ใ‚Šใ€ใใฎไธญใงใŸใใ•ใ‚“ใฎไบบใจๅ†™็œŸใฎ่ฉฑใ—ใ‚’ใ—ใŸใ‚Šๆ„Ÿๆƒณใ‚’ไผใˆใ‚ใฃใŸใ‚Šใ—ใฆๅ†™็œŸใซๅฏพใ—ใฆ่‡ชๅˆ†ใฎ่€ƒใˆๆ–นใ‚’่ฆ‹็›ดใ™ใ“ใจใŒใงใใพใ—ใŸใ€‚ใใ—ใฆไปŠๅ›žใฎไธ€็•ชๅคงใใ„ๅŽ็ฉซใฏ่‡ชๅˆ†ใฎไฝœๅ“ใ‚’ๅˆฅใฎ่ง’ๅบฆใ‚„่ฆ–็ทšใง่ฆ‹ใ‚‹ใ“ใจใŒใงใใŸใจใ„ใ†ใ“ใจใงใ™ใ€‚ใใฎใŠใ‹ใ’ใง่‡ชๅˆ†ใฎๅ†™็œŸใŒใฉใ†่ฆ‹ใ‚‰ใ‚Œใ‚‹ใฎใ‹ใชใฉใ€Œๅฎข่ฆณ่ฆ–ใ‚’ใ™ใ‚‹ๅŠ›ใ€ใ‚’้ซ˜ใ‚ใ‚‹ใ“ใจใŒใงใใพใ—ใŸใ€‚

ใ„ใพใ ใซๅ†™็œŸใ‚’ๆ’ฎใ‚‹้š›ใ€่‡ชๅˆ†ใŒ่ฆ‹ใŸ้ข็™ฝใ•ใ‚„ๆ„Ÿๅ‹•ใ‚’ไผใˆใ‚‹ไบ‹ใŒใฉใ†ใ„ใ†ไบ‹ใ‹ๅˆ†ใ‹ใ‚Šใพใ›ใ‚“ใงใ—ใŸใ€‚ใ‘ใ‚Œใฉใ“ใ†ใ„ใ†ๆฉŸไผšใŒใ‚ใฃใŸใŠใ‹ใ’ใงไธ€่ˆฌใฎๆ–นใฎๆ„่ฆ‹ใ‚’่žใใ€ๅฐ‘ใ—ใงใ‚‚ๆ’ฎใฃใŸๅ†™็œŸใ‚’ไป–ใฎไบบใฏใฉใ†่ฆ‹ใ‚‹ใฎใ‹ใ‚’ๆƒณๅƒใงใใ‚‹ใ‚ˆใ†ใซใชใ‚Šใพใ—ใŸใ€‚ใพใ ใพใ ๅฎŒ็’งใซใฏ็จ‹้ ใ„ใงใ™ใŒใ€ใชใ‚“ใจใชใใ“ใฎๅ…ˆใฎ้“ใŒ่ฆ‹ใˆใฆใใŸๆฐ—ใŒใ—ใพใ™ใ€‚

ไปŠๅ›žใฎๅ‡บๅ“ไฝœใฏไธ‰ใคใงใ™ใ€‚ไธ€ใคใฏ็€ฌๆˆธๅ†…ใ‚ฟใ‚คใƒ ใ‚นใฎ่ชญ่€…ๆง˜ใŒไปฅๅ‰ใ”่ฆงใซใชใฃใŸใ“ใจใŒใ‚ใ‚‹่™นใƒถๆตœใฎๆพๆž—ใงๆ’ฎใฃใŸๆตๆœจใฎๅ†™็œŸใ€Œ้พๆœจใ€ใงใ—ใŸใ€‚ไบŒใค็›ฎใฏไบŒ็พฝใฎใƒŠใ‚ฌใ‚ชใ‚ซใƒขใฎใ€ŒไปฒใŒใ„ใ„ใƒปใƒปใƒปใ‚ซใƒขใ€ใใ—ใฆๆœ€ๅพŒใฏ่ฉๅธ‚ๅค–ใฎ้‡Ž็„ผใใฎๆง˜ๅญใ‚’ๅ†™ใ—ใŸใ€Œ็ง‹ใฎ้ฆ™ใ‚Šใ€ใงใ—ใŸใ€‚ๆฅๅ ด่€…ใฎ็š†ใ•ใ‚“ใ‹ใ‚‰ใฎใ‚ณใƒกใƒณใƒˆใ‚’ใฟใ‚‹ใจใ€ŒไปฒใŒใ„ใ„ใƒปใƒปใƒปใ‚ซใƒขใ€ใŒๅœงๅ€’็š„ใซไบบๆฐ—ใงใ‚ใ‚‹ใ“ใจใ‚ใ‹ใ‚Šใพใ—ใŸใ€‚ใ‚‚ใ—ใ‹ใ™ใ‚‹ใจไธ€็žฌใฎๅ‹•ใใŒๅˆ‡ใ‚Šๅ–ใ‚ŒใŸไบ‹ใŒ่‰ฏใ‹ใฃใŸใฎใงใฏใจๆ€ใ„ใพใ™ใ€‚

่‡ชๅˆ†ใฎไธญใงใฏใ€Œ้พๆœจใ€ใŒไฝœๅ“ใจใ—ใฆ่‡ชไฟกใŒใ‚ใฃใŸใฎใงใ€ใใฎๅทฎใงๆทฑใ่€ƒใˆใพใ—ใŸใ€‚ใ‚„ใฏใ‚Šๅ‹•็‰ฉใ‚„้‡Ž้ณฅใฎ่กŒๅ‹•ใ‚’้€šใ—ใฆๆ„Ÿๆƒ…ใ‚’ๅ‹•ใ‹ใ™ใ“ใจใฏๅคงไบ‹ใ ใจๆฐ—ไป˜ใใพใ—ใŸใ€‚

ๆœ€่ฟ‘ใฏ่‡ชๅˆ†ใฎไฝœๅ“ใ‚’ใ„ใใคใ‹่ฉๅธ‚ใฎไธ‹็€ฌไฟก้›„ๅ…ˆ็”ŸใซใŠ่ฆ‹ใ›ใ™ใ‚‹ๆฉŸไผšใŒใ‚ใ‚Šใพใ—ใŸใ€‚ๅ…ˆ็”ŸใŒๅ„ชใ—ใ่ค’ใ‚ใฆใใ‚Œใพใ—ใŸใงใ€ใ‚„ใฏใ‚Šใ‚ซใƒขใฎๅ†™็œŸใ‚’ไธ€็•ชๆฐ—ใซๅ…ฅใฃใฆใใ ใ•ใ„ใพใ—ใŸใ€‚ๅ…ˆ็”Ÿๆ›ฐใใใ‚Œใฏๅ†™็œŸๅฎถใจใ—ใฆไธ€็•ชๅคงใใชๆ‚ฉใฟใงใ‚ใฃใฆใ€่งฃๆฑบๆ–นๆณ•ใฏ่‡ชๅˆ†ใงๆŽขใ•ใชใ„ใจใ„ใ‘ใชใ„ใ‚‰ใ—ใ„ใงใ™ใ€‚

ๅ…ˆ็”ŸใŒใจใฆใ‚‚้‡่ฆใช่ชฒ้กŒใ‚’ๅ‡บใ—ใฆใใ‚Œใพใ—ใŸใ€‚ใใ‚Œใฏใ€Œ่ชฐใ‚‚ๆ’ฎใฃใŸไบ‹ใŒใชใ„ๅ†™็œŸใ‚’ๆ’ฎใ‚‹ใ€‚ใ€ๅ‡บๆฅใ‚‹ใฎใ‹ๅˆ†ใ‹ใ‚Šใพใ›ใ‚“ใŒ้ ‘ๅผตใ‚‹ใ—ใ‹ใชใ„ใจใŠใ‚‚ใ„ใพใ™ใ€‚