I do, in fact, translate more than just Uketsu books, and on February 12th the latest such was released in the UK.

The Ark is a mystery/thriller in the honkaku mode. It tells the story of a group of seven friends from university who meet up and hike to an old abandoned underground facility one of them found. They end up deciding to stay the night and a family of three also show up, rather mysteriously, then they all get trapped when an earthquake blocks the door.
Complications start piling up, and then bodies start piling up, and the whole thing becomes a tense, claustrophobic journey into pitch-black nihilism. This is a book where the ending hits like a punch in the gut.
Translators often talk about the linguistic challenges of the job, of trying to find the right way to convey the author’s message and so on.
It’s less common, I think, to talk about the emotional element.
The act of translation starts (and proceeds, and ends!) with reading. Reading deeply. Reading repeatedly. Eking out all the nuance and meaning I can from a work. I can’t speak for everyone, but when I translate a book I get emotionally invested in a way I rarely do otherwise. I have to, or the whole thing falls flat.
Which means that in translating a dark work like this, I am immersed in all that bleakness and cold-blooded murder for literal months.
It was hard to translate The Ark. Unpleasant. It weighed on me.
Which is not to say there is anything wrong with the book. It’s tight, clever, and written from a place of real care for the genre. It’s a good book. Very good.
But it’s not a happy one. I was glad when I was finished with this one.
And now it’s out there for readers to experience for themselves. There are some who will love the weight of the tension, like a mountain hanging above your head. Others will hate the breathless atmosphere of creeping doom, like water slowly rising up to steal your breath. But for fans of deduction-focused mysteries and darker tales, I think this one will satisfy indeed.
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